"Shallows At Dusk" Wins Mitchell Environmental Conservation Award

“North Cove Shallows at Dusk” Wins John G. Mitchell Award

By markrogerbailey

 

“North Cove Shallows at Dusk” (2012) by Mark Roger Bailey

My photograph, “North Cove Shallows at Dusk,” has received the 2013 John G. Mitchell Environmental Conservation Award.

The award by the Land/Conservation Trusts of Lyme, Old Lyme, Salem, Essexand East Haddam (CT) honors the American environmentalist and former editor of National Geographic Magazine, John G. Mitchell (d. 2007). Past editor of Sierra Club Books and a longtime field editor and writer for Audubon Magazine, he also wrote many books, including LOSING GROUND (1975), ALASKA STORIES (1984), and DISPATCHES FROM THE DEEP WOODS (1991).

I captured this photo in Essex, CT late one April afternoon. The river bottom stones in the foreground, the larger boulders in the middle distance sharing the deepening water and the reflected glow of sunset spoke to me about the interconnectedness of our existence along the banks of one of America’s great rivers.

1930 Model A Ford_Mark RogerBailey

1930 Model A Ford parked under patriotic bunting before the Griswold Inn, Essex, CT (2012)

My photograph of an antique Ford automobile, “Model A Before Griswold Inn,” placed second in the Cultural Historic category.

Avoid Mind Reading

Except your own

Writing to the market always falls short of the mark. Besides being a soul-numbing experience (because you end up essentially writing someone else’s inspiration), it cannot be researched sufficiently, drafted, rewritten, edited, rewritten again, shopped, edited, and published in time to capitalize on the market trend.  So, you have invested valuable time, energy, and effort in a project to which you are less than 100% committed, and about which you are less than passionate.

Start with what you want to read. Do what you think is right. Draft your concept.  Outline it, write a few chapters and share it with someone whose skill, perspective, judgment, interests, and discernment you respect.  Odds are that those pages will jump to life in the reader’s mind because you care, because you’re invested in something you want to say, in a tale you want to tell.

Trying to forecast the market, or read editors’ or agents’ minds wastes your time.  It also paralyzes your writer’s instrument.  The skills that you develop as a writer are important, high performance, precision tools.  Don’t use your scalpel as a screwdriver.  Don’t use your best sagacious voice to make someone else’s hero sound interesting. Respect yourself, your ideas, and your time.  Follow your muse, your heart, and craft the stories you think matter, the ideas, subjects, and characters that wake you at 3:00 am.

 

The Last :05 Seconds

If I can’t write the final beat of a story, brief, or article, or the last five seconds of a commercial or video, I know that the premise is not yet fully realized. Those concluding seconds, or those cascading syllables leading to a final conclusive sustaining note should resonate.  The end should resolve, summarize and underscore the point.  If those qualities are absent or not sufficiently present, then the foundational work – the premise in most instances – is not done; the ad, video, short story, screenplay or novel is not complete. The piece might move, twitch, even walk, but it won’t fly.